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Home and Family
Learning Styles and the Visual Learner
by Devora Piha

Part II

In Part I we discussed the various ways the brain has of integrating new information, in other words, how children learn. We mentioned eight basic categories: the simultaneous learner (total picture); the sequential learner; the auditory learner; the visual learner; the three dimensional learner; the two dimensional learner; the tactile learner and the kinesthetic learner. Most people are combinations.

The above categories match the two hemispheres of the brain. The right side of the brain is visual and pictures whole scenarios. It is the imaginative, creative and impulsive side. The left side of the brain is language and words (two dimensional). It is sequential, logical and orderly. It controls impulses. The normal person is orderly, both sides functioning well, although one side may be stronger. Both sides are balanced usually with a leaning towards one side. The impaired person with extremes to the right is very impulsive and can't stay with one thing. The extreme left- sided person may have an obsessive-compulsive disorder.

The traditional old cheder way of teaching was and is successful with all types of children. Children receive individual attention. Five or six children with a melamed have the opportunity to read, to explain and to do until the lesson is integrated into the child. We have the know-how to use it. Why, then, today, do we have smart children who do not succeed in the classroom? Are there too many children in a class? Or isn't there enough singing with davening and learning? Is there too much emphasis on high grades? The actual quality of the learning combined with the emphasis on the child's personality and special talents and way of perceiving and receiving information needs more attention. The goal is to uncover each child's different talent.

The ideal situation is to provide different channels of learning. It is more work for the teacher but the results bring out the best in our child. The teacher's learning style imparts information accordingly.

SUGGESTIONS FOR THE TEACHERS

1. Provide worksheets before the lesson, not after. Worksheets should have written information and/or (visual) pictures, diagrams and illustrations.

2. Teach students to take notes.

3. Use clear explanations and directions.

4. Test orally, not only in writing.

5. Allow for oral or written summaries.

6. Use less words on a page.

7. Allow for exercise or free movement such as moving to the back of the room, doing hand work or weaving back and forth at a shtender.

If ideas such as these were implemented, we might see more contented, less competitive children with more desire to learn.

If we are sensitive to our children's subtle differences and unique qualities, we can help our children learn to help themselves in situations that don't fit their needs. We can teach them to teach themselves according to their ways, al pi darko. The best time is when they are very young, but it is never too late.

THE VISUAL LEARNER

One example of a bright child who may not do well in school is the visual learner (although not necessarily). The classroom setting is usually geared to the sequential or auditory learner. The teacher imparts information in ordered details and presents the total picture at the end of the lesson. The entire lesson is likely to be presented orally with little or no visual aids. The child whose mind is inspired and awakened by color, shape, form and demonstrations has a hard time holding on to the information, and therefore his mind may fall asleep or wander.

The teacher builds the lessons sequentially and verbally but the child who needs visual material or needs to understand the total picture (the simultaneous learner) gets lost along the way. The visual learner requires added visual information and then can flourish in the classroom. They are affected by pleasant or interesting surroundings and they learn better when they see the teacher's face. They may `read' all a picture has to say.

The visual learner does not always do well when he must only sit and listen to a teacher to take in information. If his mind is not moved by visual stimulation, he daydreams. He learns through visual order such as cubes and other designs in order, by comparison, by writing and copying and with diagrams. One teacher asked her class to list the family members of shevet Levi after reading this perek and to draw them and color in certain members of the tribe. Homework such as this gives the visual learner an opening to use his/her talents and be successful. It also encourages memory retention because the child identifies the subject with the family tree and the drawing.

Without providing actual numbers of the percentages of visual learners here, we can say that there is a substantial percentage of children and adults who are visual learners. Within this group we have the visual learner combined with different combinations of sequential, simultaneous and auditory or other learning channels. Each combination has its requirements. An often successful combination for school is the visual/auditory learner.

Most visual learners find ways to compensate. Some need direction in learning to compensate. A small percentage need medication, psychotherapy or other emotional support from neurological damage or emotional trauma. They may not be helped by the above methods.

The TACTILE, VISUAL, SIMULTANEOUS LEARNER is usually attended to in the lower grades. The time is ideal to give the child access to all that they are able to achieve by themselves with arts and crafts and other hands-on activities. Let the children find their own way of doing the arts and crafts within the framework of the project. Teachers can do more with these children and provide them with bountiful stimuli. Dioramas and science experiments that demonstrate concepts of the physical world are successful learning aids. Visual models help children see and understand what they are expected to produce.

[Final part next week: Visual Models and Exercises that Parents and Teachers Can Provide]

Devora Piha is available for art and crafts therapy for motor skills and/or emotional difficulties.

Ramat Beit Shemesh 02-992-0501

 

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